![]() ![]() Segment three increases the connections among the stories. This segment echoes Wong Kar-Wai’s Chungking Express, though with far more whimsy. That meaning isn’t expressed - rather, it’s implied through Tse’s funny fantasies, her engaging performance and the final moments, which imply that such ardent one-sided love is transitory. The symbolism is easy to parse the lover in the young woman’s dream is an imagined facsimile of the real-life person, the idea being that imagined fantasy is ultimately easier to deal with than reality. However, in her dreams the object of her affection is not the real Eddie Peng, but an Eddie Peng-lookalike mannequin. ![]() She collects objects pilfered from the clothes he drops off for cleaning, and daydreams of spending time with him, with her dreams reflecting quirky, frequently funny movie tropes. Segment two digs into unrequited love with the tale of a laundromat worker (singer Kay Tse) who fantasizes about one of her customers (Taiwan heartthrob Eddie Peng). Just like it is for these would-be lovers, the value here is in the time spent and not what explicitly happens. That’s great when your actors are Eason Chan and Karena Lam each possesses a personality that’s identifiable, and even when their words don’t mean much, it appears as if something is being said. Long conversations and a meandering plot characterize this first segment, the actors given breathing room that allows them to inhabit roles rather than simply recite lines. The two meet one evening on a crowded Causeway Bay corner and go about a mundane yet incisive date, filled with musings and touchstones on dating and intimacy. Hong Kong Cinema regulars Eason Chan and Karena Lam star in the first segment, about casual lovers involved with other people. Lover’s Discourse starts with seemingly disconnected stories, but as the film progresses they become increasingly intertwined. The material inside may be familiar, but the package is a quality one. However, Tsang and Wan improve upon Kong's shoddy filmmaking, offering stylish direction to go along with an intriguing, eclectic cast and a well-observed script. ![]() Maybe this is just how Hong Kong views romance in recent years, director Patrick Kong has made romantic negativity his bread-and-butter with his popular and also terribly directed "Love" movies. Notice I didn't say "enamored." Directed by Derek Tsang and Jimmy Wan, and produced by Pang Ho-Cheung, Lover's Discourse is a cynical little look at love, where it's sometimes framed fondly, but never in a way that posits the "love conquers all" mantra that cinema has long been partial to. ![]() A fine debut for directors Derek Tsang and Jimmy Wan.įour-story drama Lover's Discourse treads familiar ground, and features a diverse Chinese cast playing individuals afflicted, troubled or perhaps obsessed by love. Lover's Discourse has much to appreciate, including a fine cast, identifiable emotions and some decent pop-art style. It doesn't really say that much, but the package is a quality one. Tsang Chi-Wai, Mavis Fan Hsiao-Shuan, Lawrence Lam Ka-Yan, Eason Chan Yik-Shun, Kay Tse, Eddie Peng Yu-Yan, Jacky Heung Cho, William Chan Wai-Ting,Ĭarlos Chan Ka-Lok, Kit Chan Kit-Yee, Eric Karena Lam and Eason Chan talk a little about love in Lover's Discourse. ![]()
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